Lanzini & Sons · Sacred art and church interiors

Church Baptismal-Font Arrangements

A furnishing in its setting

New and existing baptismal-font elements considered together, with attention to material, proportion, placement and the surrounding church.

  • Existing font restoration and relocation
  • New marble basins and related elements
  • A coordinated setting for retained and new work
Completed font arrangement with the restored historic pedestal font beside the new octagonal marble basin.
The restored historic font beside the new marble basin.

A font belongs to a setting

A baptismal-font project may involve a retained historic piece, a new basin or a coordinated arrangement of existing and new elements. The furnishing’s material and proportions matter, as do its place in the church and its relationship to the surrounding space.

Begin with what is already there and what the parish hopes to change. Photographs of the existing font, the proposed location and the surrounding floor and furnishings help make the discussion concrete. If plans or approximate dimensions are available, include them. The first conversation can establish which elements are to remain and what new work is being considered.

Historic font and new marble basin at St. Francis

At St. Francis of Assisi in Sacramento, we restored and relocated the existing historic pedestal font, then designed an arrangement with a new octagonal marble basin, pillars and a pump. The completed setting brings the retained font and new work together.

The project photographs show the historic pedestal font and new basin in the completed setting. The retained piece and new marble elements each have a role in the arrangement.

Considering the arrangement together

Proportion, material and placement are considered in relation to the church. An existing piece may be restored, relocated or adapted where appropriate to the particular scope. New elements can be discussed alongside the retained work rather than chosen without reference to it.

Access, delivery, floor conditions and relevant utilities may affect the arrangement. Share any known constraints and identify the people involved in the parish’s review. Available plans can help explain the setting; a parish does not need to have every detail settled before an initial inquiry.

For a wider sanctuary project, see altars and sanctuary furnishings. For the relationship between a font, altar, ambo, tabernacle and sacred art, explore Catholic liturgical design.

Prepare a useful first inquiry

  • The church name, city and state.
  • Overall and detail photographs of the existing font.
  • Photographs and approximate dimensions of the intended setting.
  • Which elements should remain and what the parish hopes to add or change.

Talk with Jeffrey about a baptismal-font arrangement. Include any known history of the existing piece and the parish’s goals for the space.

Planning your project

A useful place to begin.

Photograph the existing font and its proposed setting. Include approximate dimensions, the parish’s goals and any known utility or floor constraints.

Talk with Jeffrey

Can an existing historic font be retained?

Yes, where appropriate to the particular project. At St. Francis of Assisi in Sacramento, the historic pedestal font was restored and relocated beside a new octagonal marble basin.

Can the surrounding arrangement be designed together?

Yes. The St. Francis project combined the historic font, a new marble basin, pillars and a pump. The intended use, placement, access and relevant utilities belong in the discussion.

Begin with the work in front of you

Discuss a commission or restoration

Send the project location, a short description and photographs if available.